Tuesday, August 31, 2010

Lady Gaga's Fans Invited To Weigh In On Wax-Figure Fashions

Madame Tussauds asks 'little monsters' to suggest their favorite outfits for upcoming replicas.By Gil Kaufman





Lady Gaga

Photo: David Livingston/ Getty Images




Lady Gaga's whole existence sometimes feels like a living, breathing, bleeding, gender-bending work of art. Now, Madame Tussauds is planning to spend major bucks to turn the international pop sensation into a life-size waxwork.
According to a spokesperson for the New York branch of Madame Tussauds, the popular tourist attraction in Times Square is working on a Gaga figure that should be ready by year's end. And here's the best part:
"We're open to hearing from fans about which looks they want," said the spokesperson, encouraging Gaga's "little monsters" to visit NYCWax.com to weigh in on which of Gaga's many signature styles they would like to see immortalized in wax. While the spokesperson could not comment on a report in a British tabloid that Tussauds is spending more than $1.5 million on the Gaga figures, they did clarify that "many" but not all nine global outlets will get their own Gaga. It is also not yet known if all the Gagas will sport the same look or have different outfits.
The museum is legendary for making wax replicas of the rich and famous, from President Obama and Justin Timberlake to Marilyn Monroe, Brad Pitt, Derek Jeter, former "American Idol" judge Simon Cowell, Madonna and Beyoncé.
The singer, who is up for a record 13 Moonmen at the upcoming MTV Video Music Awards, gave Tussauds yet another possibility this week when she set aside female things and posed as her male alter ego, Jo Calderone, for the cover of Vogue Hommes Japan. The magazine, which hits newsstands September 5, features a cover shot of Gaga as Calderone with an Elvis pompadour, white shirt and black trousers.
Which of Gaga's looks do you think Tussauds should immortalize in wax? Leave your comments below!



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Beyonce's 'Why Don't You Love Me' Almost Didn't Happen, Bama Boyz Say

'It was the last one we expected her to pick,' song's producers reveal.By Steven Roberts





Beyoncé

Photo: Jeff Kravitz/ FilmMagic




If you've listened to Beyoncé's "Why Don't You Love Me" and inexplicably felt like you were a spy in the middle of an international conspiracy, then don't feel like you're weird. When producers the Bama Boyz, created the song, that's exactly how they felt.

The Grammy-nominated production trio of Eddie Smith, Jesse J. Rankins and Jonathan Wells are signed to Mathew Knowles' (a.k.a. Beyoncé's father) Music World Entertainment, and have worked with B for some time. In fact, the song's inspiration came from the time they spent in London at the end of her B-Day Tour.
"After the tour left, we stayed over in the UK, because we fell in love with it. It was a big thing for us, being out there, and we watch a lot of movies, so we all felt like Jason Bourne, to be quite honest with you," Rankins said. "We felt like James Bond or something. We were running around on like — this is kind of embarrassing — pretend missions in our head and we felt like we needed a theme song for it."
He said they started working on the song that would become "Why Don't You Love Me" in London, and completed it once they were back Stateside. They said that the song's structure was unusual, but luckily it ended up in the right person's hands.
"What happen was [B's sister] Solange called us and was like, 'Hey, I'm going to write a couple of records for my sister. Send me some tracks!' We had a lot of bangers that felt more like Beyoncé, but we actually put that one last on the CD because we figured 'This is not Beyoncé,' but we knew Solange would like it," Rankins said. "So we stuck that one there — but we battled with even putting it on there, because it was the last one we expected her to pick. So Solange sent it back with a song written to it, and it was the 'Why Don't You Love Me' lyrics. The song was hot!"
The Bama Boyz met in junior high and high school and linked back up in college at Alabama A&M University, where they threw parties as DJs. They eventually landed internships at Sony Music before hooking up with Mathew Knowles.
Despite their name, the group's sound doesn't necessarily scream Alabama. Their EP, Socially Awkward, is filled with music that can't readily be classified as electro, R&B or hip-hop.
"We actually like the fact that our name is the Bamaz — people say, 'Ah, they're going to sound like this.' But then we you hear [us], you're like 'What? Are they really from Alabama?' It's just like a gumbo of lots of different genres and styles."



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EXCLUSIVE: 'Black Swan' And 'The Wrestler' Started Life As One Movie, Darren Aronofsky Says

In some strange parallel universe, one in which filmmaker Darren Aronofsky made some of his choices a little bit differently, "The Wrestler" and his upcoming follow-up "Black Swan" exist as a single film, one about the coupling of a wrestler and a ballet dancer. Bizarre? Absolutely. Aronofsky nonetheless looks at the two films -- the [...]

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Eminem's Recovery Holds On To #1 Billboard Slot

Rapper retains his position despite four new names in top five.By Gil Kaufman





Eminem

Photo: Frederick M. Brown/ Getty Images




How strong is Eminem's run at the top of the Billboard 200 albums chart? In addition to locking down the #1 spot for seven out of the nine weeks since its release, Slim Shady will manage to hold his perch next week despite a rush of four new titles debuting in the top five.
The rapper, who was just added to the roster of performers at this year's MTV Video Music Awards, will keep his pole position again thanks to sales of 116,000, which pushed his to-date total above the 2.2 million mark, according to figures provided by Nielsen SoundScan.
He also fended off four contenders, led by R&B singer Kem, whose Intimacy was well behind at #2 (74,000), followed by the latest from sandpaper-voiced singer Ray LaMontagne and his band the Pariah Dogs, God Willin' & the Creek Don't Rise (#3, 64,000), metal icons Iron Maiden with Final Frontier (#4, 63,000) and country singer Trace Adkins' Cowboy's Back in Town (#5, 50,000).
The rest of the top 10: Lady Antebellum, Need You Now (#6, 32,000); the former #1 album from Arcade Fire, Suburbs, which dropped five spots to #7 on sales of 31,000 for a three-week total nearing 250,000; Justin Bieber's My World 2.0 (#8, 30,000); the debut of mellow singer David Gray's Foundling (#9, 25,000); and another new face, rock legend-turned-dustbowl balladeer John Mellencamp's No Better Than This (#10, 24,000).
The Camp Rock 2 soundtrack had a short stay in the top 10, as it fell 10 spots in week two to #13 (23,000), while VMA-nominated Mumford & Sons' Sigh No More continued a march up the charts, scooting up one to #19 as sales picked up by nearly 20 percent to 17,000. And Hey Monday landed at #25 with their latest, Beneath It All (14,000).
After weeks of domination of the iTunes singles chart, Eminem's iron grip was finally broken this week by (who else?) Lil Wayne. The incarcerated rapper's "Right Above It" collabo with Drake took over the #1 spot, pushing Em's Rihanna hookup, "Love the Way You Lie," to #4, as Katy Perry's "Teenage Dream" hung in at the #2 spot right in front of Taio Cruz's "Dynamite." Breaking into the chart this week was Nelly with "Just a Dream" at #7.
Though iTunes does not release specific sales data, suffice it to say that Em held the top spot on the album tally again, followed by LaMontagne, a Lady Antebellum iTunes session, Arcade Fire, Gray, Mumford & Sons, Antebellum's resurgent Need You Now, the chart debut of Maroon 5's Hands All Over, Kem and Maiden.
He's been the chart champ most of the summer (save for bumps by Arcade Fire and Avenged Sevenfold), but it looks like Eminem's Billboard domination could end for good with the release of Katy Perry's Teenage Dream, the highly anticipated second album from the singer that has already spawned two massive hits. Also vying for the top is the third effort from former "American Idol" champ Fantasia, and an Usher remix/deluxe repackaging of Raymond v. Raymond called Versus.



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Monday, August 30, 2010

Photos | Justin Bieber, Miranda Cosgrove, More Arrive At 2010 Kids' Choice Awards

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Christina Aguilera Brings New Songs, Classic Hits To 'Today' Show

'I was completely inspired by a lot of electronica music when my son was born,' she says of Bionic.By James Dinh





Christina Aguilera performs on the "Today" show on June 8

Photo: James Dinh / MTV News




Fresh off her Bionic medley at the 2010 MTV Movie Awards, Christina Aguilera continued her promotional blitz for the new album Tuesday morning (June 8) by performing a mini-concert on the "Today" show. The pop star treated fans to a five-song set, including cuts from her new album and some older Xtina classics.
With a slight breeze and summer sun in full effect, the always fashionable diva strutted a catwalk set up in Rockefeller Center during show rehearsals. Even though the crowd wasn't as outrageous as those who trekked across states for Justin Bieber, Aguilera did have her share of devotees waiting in Rockefeller Plaza as early as midnight. The songstress made sure to recognize their devotion by happily signing autographs and taking pictures with fans in between her rehearsals.


"I was completely inspired by a lot of electronica music when my son was born and we both were listening to it a lot together," she told "Today" host Matt Lauer about her new album. "You know, having a child makes you think of the future and the next generation, and I got really inspired by electronica, which is so no-holds-barred with its sound and technology, and I wanted to really experiment with that. He definitely inspired a very playful side of me that I didn't have prior to having him. He really inspired this album ... and got me really in touch with my original pop roots of a decade ago, so it's been really fun."
To start her mini-concert, the singer got the audience rowdy with the aggressive opening number "Fighter." A flicker of camera flashes lit up the center of the catwalk, as Xtina led her dancers into a sea of fans. She continued with the M.I.A.-esque "Bionic," while the singer's eight backup dancers performed a slick and quirky routine. The momentum only continued with current single "Not Myself Tonight," during which Aguilera joined in on a few dance moves.
The songstress never fails to deliver ballads, so it was no surprise that her next number was her 2002 hit single "Beautiful." But while she usually takes advantage of her high notes, she also showcased her vocal versatility on the final song: the Sia-penned ballad "You Lost Me." The singer brought a subtle and gentle ambience to her set as she delicately delivered the tender ballad. Unfortunately for television viewers, the entire performance was not aired.
In addition to the release of her album, the singer spoke about the completion of her first movie, "Burlesque," which hits theaters in November.
"It was an incredible experience," she said. "I grew and learned so much. I had such great people to absorb from: Cher, Stanley Tucci, Kristen Bell was hilarious and funny and just made me feel so comfortable and supportive. It's going to be a really, really fun movie come this November."
What do you think of Christina's songs from her new album? Tell us in the comments below!



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Martin Scorsese?s commercial for Bleu de Chanel (video)

Martin Scorsese has directed a commercial for a new Chanel perfume.
Despite its slickness, it has a cool Antonioni/late '60s European vibe that I like.
Check it out:








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'Machete' Stars Pick Their Badass Allies

Jessica Alba goes with 'genius and amazing' director Robert Rodriguez, along with co-star Michelle Rodriguez.By Kara Warner





Jessica Alba, Danny Trejo, Michelle Rodriguez and Robert Rodriguez at the "Machete" premiere

Photo: Kevin Winter/ Getty Images




Those familiar with the trailer for Robert Rodriguez's new film "Machete" — which started out as a fake preview in "Grindhouse" and eventually inspired the full-length feature — know to expect high-octane action sequences, blood and, thanks to Jessica Alba and Michelle Rodriguez, badass babes.
Wednesday night's special screening of the anticipated "Mexploitation" flick kept up with the high-octane and badass aspects, as Rodriguez and his cast arrived in pimped-out low-riders to the Orpheum Theatre in downtown L.A. Given the rebellious and revolutionary nature of Machete the character, and his trajectory in the film, we asked the stars who they would choose as an ally in a revolution.

Don Johnson went with a founding father and a famous rebel. "I like George Washington," Johnson said. "He did a good job. Fidel [Castro], he did a good job." Johnson also singled out Machete himself, Danny Trejo. "He's good with a knife," he said. "Weird huh?"
Trejo went a different route: with his leading ladies. "Jessica Alba or Michelle Rodriguez," he said, highlighting the ladies' feisty fighting skills. "In this movie, they're both badasses. They're both bad-gorgeous-asses."
Alba also picked a leading lady as her ally. "Michelle [Rodriguez]!" she said. "[Michelle's character in the movie] and Robert Rodriguez," she added, as her director joined in the interview. "Because he's a genius and he's amazing." (Alba also revealed that Rodriguez is an amazing cook, which enhances his ally appeal.)
"I'd have to say Danny [Trejo]," Rodriguez said. "You know why? Because he's got loyalty in his eyes. He looks like the kind of guy that will take survival seriously, protection seriously, love seriously."
Cheech Marin agreed: "Danny Trejo, man, he's the baddest. He's great in this movie."
There you have it. Choice revolution ally: Danny Trejo. Who would you want to be by your side in a revolution? Leave your ideas in the comments!
Check out everything we've got on "Machete."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Sunday, August 29, 2010

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Heidi Montag files for divorce from Spencer Pratt

Fifteen months after saying "I do," reality TV stars Heidi Montag and Spencer Pratt are headed for divorce.
The 23-year-old starlet and plastic surgery devotee filed for divorce Friday in Santa Monica, Calif., citing irreconcilable differences.
Representatives for Montag and Pratt did not immediately respond to requests for comment.
Montag began dating the 26-year-old Pratt while filming MTV's [...]

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Jessica Alba 'Inspired' Robert Rodriguez's 'Spy Kids 4'

Writer/director recalls seeing the 'Machete' star change diapers on set.By Kara Warner





Jessica Alba at the "Machete" premiere

Photo: Jason Merritt/ Getty Images




Let's face it, Jessica Alba is known for her sexy factor. No matter what role she's in, be it a superhero ("Fantastic Four"), a pharmaceutical sales rep (in the upcoming "Little Fockers") or an immigration officer (this week's "Machete"), Alba's addition to any cast turns up its heat.

Such is even the case with Robert Rodriguez's "Spy Kids 4: All the Time in the World." When MTV News caught up with the actress and her director at the L.A. premiere of "Machete" earlier this week, we asked them how her casting came to be.
"I was so inspired, seeing her on [the 'Machete'] set trying to be beautiful for the camera and yet having to [run off] to change her baby's diaper," Rodriguez explained. "I thought, 'You know what, that would be great as a spy mom, I've got to write that in.' "
And since Rodriguez is the writer/director/creator of the "Spy Kids" franchise, he did just that. "I wrote that into the script, based on her," he said of what will be his third film with Alba.
The 28-year-old actress/mom said she's most looking forward to working with Rodriguez again — and to eating more of the director's specialty: homemade margherita pizza with jalapeños.
Moving forward, Rodriguez has yet to cast his new titular spy kids, the husband to Alba's spy wife/mom or the villain Time Keeper. Original "Spy Kids" Alexa Vega and Daryl Sabara, as well as their onscreen dad, Antonio Banderas, are expected to play supporting roles. Production is set to begin next month.
Check out everything we've got on "Machete."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Saturday, August 28, 2010

Dimmu Borgir Release Live DVD; Plus Led Zeppelin, Brujeria, & More News That Rules, In Metal File

'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.By Chris Harris





Dimmu Borgir's Silenoz

Photo: Nuclear Blast




On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.
"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."
Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with
Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.
"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."
Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.
"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."
While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.
"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."
Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.
"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."
The Blackest of the Black Tour continues through November 10 in San Francisco.
The rest of the week's metal news:
Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...
What the world really needs is another
Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...
Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...
The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...
The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ...
Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...
Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...
According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."



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Christina Aguilera's 'Burlesque' Trailer Debuts

Trailer features Cher and shows Aguilera's character's struggle to make it as an entertainer.By Eric Ditzian





Christina Aguilera in "Burlesque"

Photo: Screen Gems




It's been a while since Christina Aguilera was an up-and-coming artist on the pop-music scene, and even back then, she didn't struggle for long. Her debut album hit the #1 Billboard spot and went platinum eight times.
But Aguilera's starring turn in "Burlesque" thrusts the 29-year-old back into the role of aspiring artist, and as the movie's first trailer shows, Aguilera has taken to the portrayal quite well.

Our first glimpse of Xtina comes as she books a one-way bus ticket out of her small town and toward the bright lights and skimpy outfits of Los Angeles. She lands at a nightclub run by none other than Cher and fights her way onto the stage and in front of an audience as a burlesque performer.
"When you are putting on your makeup, it's like you're an artist, but instead of painting a canvas, you're painting a face," Cher explains.
The trailer gives us a glimpse of Aguilera's attempts to convince Cher to give her a shot to perform, her burgeoning relationship with Cam Gigandet, her rivalry with Kristen Bell and, of course, her crazy vocal abilities.
"It's sexy, it's sensual," Aguilera said of the film last month. "The whole idea of burlesque has always intrigued me. The art of the tease, the dance, beautiful women — need I say more?"
Though "Burlesque" marks Xtina's feature-film debut, director Steven Antin revealed she didn't have any trouble getting the hang of a movie set. "She figured out how it works within weeks," he said. "She is a little bit of a freak of nature and a perfectionist. This girl is a movie star."
Check out everything we've got on "Burlesque."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.By James Montgomery with MTV News staff





Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday

Photo: Kevin Winter/ Getty Images




"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."



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Drake And Nicki Minaj Tweet About Getting Married

'Please refer to @nickiminaj as Mrs. Aubrey Drake Graham,' Drizzy tweets.By Mawuse Ziegbe





Drake

Photo: Michael Caulfield/ WireImage




It seems like two members of the Young Money family just got a lot closer. On Friday (August 27), Nicki Minaj and Drake seemingly announced on their Twitter pages that they are married.
"U scurred? @drakkardnoir u ready to make the announcement or wha?" Minaj tweeted Friday afternoon. Drizzy responded about an hour later with, "Baby I am never scared. PROUD is more the word I would use," before tweeting, "Please refer to @nickiminaj as Mrs. Aubrey Drake Graham and dont stare at her too long. She's finally mine. :)."
The hip-hip diva re-tweeted Drake's missive and added, "Yes, its true. Drake and I tied the knot."
A rep for their label had no comment when MTV News reached out Friday.
Hip-hop heads have speculated about Drake and Minaj's relationship before, and buzz spiked when fans heard a very eyebrow-raising line on Drizzy's "Miss Me" single.
"I love Nicki Minaj/ I told her I'd admit it/ I hope one day we get married just to say we f---ing did it/ And girl, I'm f---ing serious/ I'm with it if you with it/ 'Cause your verses turn me on, and your pants are mighty fitted," the Toronto MC spits.
In June, Drizzy told DJ Envy on MTV2's "Sucker Free Countdown" that he had genuine feelings for Minaj. "I've always really, actually, really had a crush on her, always really loved her, and she's always just looked at me as, like, her little brother," Drake said.
However, Minaj batted away any ideas that Drake is anything more than just her sometime partner-in-rhyme.
"Drake does not have a crush on me," Minaj assured Envy. "Drake knows how to get you guys' attention."
What do you think about Nicki Minaj and Drake tweeting that they are married? Let us know in the comments below!



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'The Last Exorcism': Four Secrets Revealed

We find out how the film managed to get a PG-13 rating, what special effects were used and more.By Eric Ditzian





Ashley Bell in "The Last Exorcism"

Photo: Lionsgate




Aside from "The Crazies," a little horror flick in which I happened to have a juicy cameo, "The Last Exorcism" might be the most memorable fright fest of the year.

But that's coming from a person who doesn't really like horror, at least not when it comes to limb-shredding, blood-gushing terror. I want storytelling creativity in my horror, characters I truly want to see survive, some reason to keep watching other than the dull, dumb pleasure-pain of watching other people suffer. That's why I'm a "Last Exorcism" fan.
The film follows Cotton Marcus (Patrick Fabian), a disillusioned preacher and exorcist who hired a documentary crew to expose those who purport to exorcize demons from troubled souls. They head to rural Louisiana, where a young girl (Ashley Bell) is said to be possessed, though Cotton hardly believes any of it. You can, however, bet that things soon turn freaky ... and that not everyone is going to live to see daylight.
I had a lot of questions about how director Daniel Stamm and his filmmaking team — including producer Eli Roth — pulled everything off, and Stamm, a German newcomer to the Hollywood scene, was happy to oblige in a recent conversation. Here are four "Last Exorcism" secrets revealed.
They Made No Cuts to Get a PG-13 Rating
After taking in a screening last week, I was shocked to realize the film wasn't rated R. It was just too scary to think otherwise. Yet it's actually PG-13, owing to a lack of foul language and very few bloody moments. But did Stamm have to cut anything out to get that rating? Turns out, they didn't have to make any changes.
"We never shot for any particular rating," Stamm explained. "I shot what I thought was scariest. To me, gore isn't necessarily scary. It's all about suspense and eeriness. It's almost like shaking a bottle of Coke and the pressure builds up, but you keep the lid on it for as long as possible. Once you go into gore, you release that pressure and have to start all over again.
"There wouldn't be any dirty language, because they're on a farm of this very religious guy," he added. " 'The Exorcist' is a brilliant movie, but to me a demon is this timeless entity, and if a demon suddenly says 'f---,' that destroys the agelessness. I had no interest in having our demon use dirty language. When we were putting it together in the editing room, we thought this might very well be a PG-13 movie."
There Is Only One Digital Effect
We live in an age of reliance — some might say over-reliance — on computer-generated special effects. But what's often sacrificed with CGI is a gritty realness, which is why top-flight directors like Christopher Nolan use practical effects whenever possible, despite the often added expense.
Though he was hardly working with a budget on the scale of "Inception," Stamm used only one visual effect in "The Last Exorcism": to ramp up an enormous fire. What's more, he barely used any special effects: one bloody cut, one bloody cow, one bloody cat, and one thing that will remain secret, lest we spoil the movie's twisty ending.
For the special effects, Stamm recruited makeup effects guru Gregory Nicotero, who's worked with nearly everyone in Hollywood, including Quentin Tarantino and Michael Bay.
"[Nicotero] sent the cow from Los Angeles in a huge box," laughed Stamm. "He had his guy on set with the blood pump, who was all prepared to go full-out gore. It's so tempting when you have a genius like that who can make anything look spectacular, but you always need to remind yourself to use restraint because that's not the story you want to tell. Also, you don't want to get into 'Exorcist' territory. We didn't want to use any gimmicks. Our whole movie is based on the idea of whether she's possessed or crazy, so we couldn't have her levitate or have her head spin."
She Did All Those Bends Herself
You can't walk into a subway station in New York City without seeing the "Last Exorcism" poster: a black-and-white photo of Bell bending over backwards as the purported demon contorts her body. When this happens in the movie, it's a shocking and scary moment. Turns out that this scene contained not a single visual effect and that Stamm didn't even know he'd be able to pull it off until days before they shot it.
"She's double-jointed," he said. "I had no idea. I just cast her because she was brilliant. Two days before we shot the actual scene, which was planned completely differently, we were in the hotel lobby and I asked her if there was anything she wanted to try during the exorcism. She got up and said, 'Why don't I do this?' and she bent over backwards in the hotel lobby. I ran back to my room and rewrote the scene and now it's become the core of the movie.
"I made sure Patrick didn't see that before the scene," Stamm continued. "The first time he ever saw it was that first take. A lot of the stuff in the finished scene is from that first take because he just couldn't believe what he was seeing."
They Studied Horror Movies to Avoid Imitation
From "The Blair Witch Project" to "Cloverfield," the faux-documentary movie has been used a ton, as has the exorcism plotline: "The Exorcist," "The Exorcism of Emily Rose." Stamm and his team were so adamant that they not repeat anything that'd come before that they watched all of these films and excised any points that felt duplicative.
"We made sure we weren't doing anything in these other movies," Stamm explained. "And I also gained new understanding of these movies. 'Blair Witch,' when I re-watched it, I realized for the first time what a smart film it is, how it's so tense and smartly built."
They did, however, make one exception. The townspeople who talk about myth and superstition in "The Last Exorcism" were directly inspired by the townspeople recounting the legend of the Blair Witch.
"We learned a lot from that," Stamm said.
Check out everything we've got on "The Last Exorcism."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.


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Friday, August 27, 2010

Swizz Beatz Says 'Pressure Was On' For Kanye 'Power' Remix

'When he made that announcement, we didn't have what we had,' Swizz reveals of 'Ye's on-air promise.By Jayson Rodriguez





Swizz Beatz

Photo: Johnny Nunez/WireImage




Kanye West's "Power" remix had just as much manpower on the record — 'Ye, Jay-Z, John Legend, Swizz Beatz — as it did behind the scenes. According to Swizz Beatz, the studio sessions that ultimately led to the production of the number featured not only the aforementioned artists, but also input from Q-Tip, Mos Def and the Neptunes' Pharrell Williams.

"Just multiple combinations," Swizz told MTV News on Monday (August 23). The MCs and producers were all working on each other's albums as the "Power" remix was being put together.
The pressure was on Kanye to deliver after the rapper announced in an interview with Angie Martinez on August 11 that a remix of "Power" featuring Jay-Z would be delivered by that Friday, August 13.
"He definitely, definitely was focused," Swizz said. " 'Cause when he made that announcement, we didn't have what we had. But you know when something feels right and it's time to let something to go.
" 'Ye was trying to put it out the best way possible, to give it to the people," Swizz explained of the delay that followed; the remix arrived a bit later than what Yeezy promised. "And then the day before, the last day, before the remix dropped, it just felt like the song needed to change up. I heard it changing up on something different, something that was already on the beat. And I was trying to explain it, but I didn't want to go in too much because [Kanye] was writing his verse. But it sparked an idea."
Once work on the track was complete, though, there was little if any lag time from the studio to the airwaves. Swizz said that after they finished the three-part remix — one part Jay and 'Ye; one part a solo 'Ye over slower music; and the third, Swizz's contribution featuring Snap's "I've Got the Power" — Funkmaster Flex had premiered the track on NY radio station Hot 97, before Swizz had even made it home from the studio.
Who would you have wanted to hear jump on a remix of "Power"? Tell us in the comments!



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This week?s Win This! Best CNNGo reader comment is ?

This past week, we gave our readers the chance to win a night?s stay at Hong Kong?s award-winning hotel The Fleming, Wanchai. Many of you decided to share your thoughts with us and our readers, leaving comments on selected articles. The rest was left to us.

So after much umm-ing and ahh-ing, our board of comment moderators (it exists, seriously) has picked the lucky winner, who bags a night?s stay including breakfast at The Fleming.read more

Rose Byrne Rose McGowan Roselyn Sanchez Rozonda Thomas Saira Mohan

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Lindsay Lohan Tweets For First Time Since Rehab

Actress blasts paparazzi in her return to Twitter.By Mawuse Ziegbe





Lindsay Lohan

Photo: Dave McNew/ Getty Images




After a fairly rough summer, Lindsay Lohan is getting back into the swing of things. The actress, who left rehab Tuesday after spending 23 days in court-ordered treatment, has returned to Twitter. In her first tweet as a free woman, Lohan targeted some familiar foes: paparazzi.
"Clearly.. Paparazzi shouldn't be allowed to take pictures or video while someone's driving or at a stop light. 4every1's sake #trafficpolice," the starlet tweeted Thursday (August 26).
Just like her constantly changing hair color and shenanigans behind the wheel, Lohan's run-ins with photogs have marked her years in an unrelenting spotlight. A car crash that Lohan claimed was the fault of an overzealous snapper partly inspired a California law aimed at cracking down on eager paparazzi.
In her return to the social-networking site, Lohan appears to have revisited her tradition of oversharing and antagonizing others via the Web. The actress' turbulent relationship with ex-girlfriend Samantha Ronson played out in front of millions of viral fans, with both ladies typing swipes at each other. More recently, bawdy comedienne Joan Rivers went after Lohan on Twitter before the actress began her stint in jail. Lohan has also blasted her publicity-hungry father, Michael, on the site as well.
Even if Lohan has taken up her viral antics once again, many have hope the actress can bounce back from her recent troubles.
"I feel like people in the film industry are rooting for her," film critic Ryan Gilbey recently told MTV News. "[Director Quentin] Tarantino has been saying great, supportive things about her and how brilliant she's in this movie he's produced ['Machete']."
Indeed, her "Machete" co-stars have been beaming about Lohan's performance in the flick.
"I wish her all the best. I mean, she's a talented young actress," Cheech Marin told MTV News at the film's premiere. "Hopefully, she won't let her personal life overwhelm her professional life. ... At some point, you gotta be responsible."
"She's so good in this movie," Jessica Alba added of "Machete." "I can't wait for people to see [her in] it."
Are you happy Lindsay Lohan is tweeting again? Let us know in the comments below!



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Thursday, August 26, 2010

Mary J. Blige Dishes On Her 'Crazy' Led Zeppelin Covers

'I've listened to their music since I was a child,' says the R&B diva, who recorded 'Stairway to Heaven' and 'Whole Lotta Love.'By James Montgomery, with reporting by Larry Carroll





Mary J. Blige

Photo: MTV News




You wouldn't peg Mary J Blige as the black-light-and-tapestry sort, but, as has become readily apparent in recent weeks, she absolutely loves Led Zeppelin.
In early February, reports began circulating that Blige had re-recorded Zeppelin's classic "Stairway to Heaven," working with Travis Barker, "American Idol" judge Randy Jackson and guitarist Steve Vai on the track, which is slated to appear on the international reissue of her Stronger With Each Tear album, due Monday.

But after she had recorded "Stairway," Blige continued to get the Led out, covering another Zeppelin classic — the thunderous "Whole Lotta Love" — for the album too. And when MTV News caught up with her on the Essence Black Women in Hollywood red carpet, she told us all about channeling her inner Robert Plant for the tracks, a process that came much easier than you'd probably imagine.
"I did Led Zeppelin's 'Stairway to Heaven' and 'Whole Lotta Love' — it's crazy," she said. "I am a Led Zeppelin fan. I'm not going to say I've been to their concerts, but I've listened to their music since I was a child, and it's always moved me, especially 'Stairway to Heaven,' and 'Whole Lotta Love' is just fun."
Blige also said she recorded another new song — a "club record" called "I Can't Wait" — for the re-release. And while it's only slated to hit shelves outside the U.S., she hopes her fans will get a chance to hear all the new songs pretty soon.
"I want y'all to hear it," she laughed.



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Kanye West Promises New Song Every Week Through Christmas

'It's about the fans. No more holding back,' he tweeted, announcing the G.O.O.D. Fridays initiative.By Gil Kaufman





Kanye West

Photo: Lester Cohen/ Getty Images




Kanye West clearly spent his time out of the spotlight doing more than just contemplating his future.

In fact, he probably spent most of it recording music, since he announced via Twitter (of course) on Sunday that he plans to release a new track every week between now and the holidays. "I know y'all need the music so I'm dropping 1 new song every weekend until Xmas," he wrote. "It may be my song, it may be a new Jay song, etc."
Yeezy said he's calling his new-music express "G.O.O.D. Fridays" because "y'all know every Friday y'all gone have a new joint from our family. We look at the game completely different now ... It's about the fans. No more holding back. That's why I dropped 'See Me Now' ... it wasn't about me, it was about the Summer the BBQs etc."
So far, fan reaction to "Now," which features Beyoncé and Charlie Wilson, has been mixed. Some have likened the sound to that of West's debut, College Dropout, and others have said it needs a harder beat and feared that 'Ye was overshadowed by the power vocals from his big sis, Beyoncé.
In addition to the much-discussed Justin Bieber/ Raekwon remix he's just finished, West also dropped the Jay-Z/ Swizz Beatz remix of his upcoming album's first single, "Power," last Friday, which seems to have marked the official kickoff of his G.O.O.D.
Fridays initiative. That song also had a mix of supporters and detractors, who weighed in on the strength of the beats and verses on MTV's Rapfix blog.
Kanye's clearly been burning it, saying he's been staying up until 5 a.m. every night working on a slew of new tunes, including songs for Clipse member Pusha T's solo album, Raekwon, Mos Def, Swizz Beatz and Pharrell. "Swizz looked at me the other night and said, 'Man are you getting sleep?' And I told him, 'I can't sleep ... my people need this new music,' " he tweeted.
He also mentioned on Sunday that he's working on a movie based on his album. Monday morning (August 23) he offered the tantalizingly vague update "working on the movie ... unicorns and RZA beats yo." A spokesperson for the rapper could not be reached at press time for more information on the movie or confirmation on the G.O.O.D. Fridays release plan.
West will perform at this year's MTV Video Music Awards. The appearance marks his VMA return after a notorious onstage dustup with Taylor Swift, but it appears the rapper is taking the incident in stride. West closes "See Me Now" with the ad lib, "Uncle Charlie, by the way. And I'mma let you finish, but I got Beyoncé on the track." The rapper will be joined at the VMAs by fellow performers Justin Bieber, Drake, B.o.B and Florence and the Machine, as well as in-house DJ Deadmau5 and host Chelsea Handler.
The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on September 12 at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for the winners from now through September 12.



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'The Expendables' Stars Want Justin Bieber For Sequel

Dolph Lundgren also suggests first-film holdout Jean-Claude Van Damme for the next film — as their victim.By Eric Ditzian





Sylvester Stallone and Terry Crews at the New York Stock Exchange on Thursday

Photo: Devan Pratt/MTV News




Where does "Expendables" star Sylvester Stallone turn now, after his cinematic smorgasbord of '80s action giants fire-bombed the competition and won the weekend box-office title? Can you hear the collective cry of $35 million worth of ticket-buyers? They're calling for a sequel!

Sly has plans to give the people what they want — he already has a second flick plotted out in his head — but for now, he's waiting on even greater box-office bucks and the chance to see which co-stars will return and which fresh faces he can entice to join the crew of gun-totting mercenaries. Stallone's fellow Expendables have some strong ideas about who they want to see in a sequel.
"Justin Bieber!" Terry Crews suggested to MTV News as the actors took over the New York Stock Exchange to ring the opening bell. "I want Justin Bieber! I want Justin Bieber's ass!"
Ya hear that, Bieber? Perhaps before you hop in front of the 3-D cameras for your upcoming biopic, you can hang with some old dogs like Stallone, Dolph Lundgren and Crews.
Lundgren, meanwhile, has his eye on a different guy to join the second installment — one who actually turned down a part in the first flick.
"I'd like to kill [Jean-Claude] Van Damme, please!" Lundgren said.
"He's hunting Van Damme down!" Stallone laughed.
Added Jason Statham: "I'll be the cut man for that!"
Two guys Stallone wants to reprise their roles are Arnold Schwarzenegger and Bruce Willis. In fact, Sly revealed he's already been in contact with them about returning for a sequel. "The main thing is to find out who's available, who wants to be in it," he said. "I'm talking to Arnold and Bruce [about] different schedules and other actors. Then you have to bring in some new guys, some young blood.
"I haven't had an opening like this," Stallone added. "To me, it's miraculous. And what sunk in finally is, in this day and age, it's all about concept, it's not about the actor. No one actor can open a movie anymore, so you need the help of your friends. This was a group effort. I had the biggest opening because they helped. That's the name of the game."
Who do you want to see join the Expendables crew for a sequel? Share your thoughts in the comments!
Check out everything we've got on "The Expendables."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Wednesday, August 25, 2010

'Glee' Soundtrack Tops Billboard, While Christina Aguilera Debuts At #3

'Twilight Saga: Eclipse' soundtrack debuts at #2.By Gil Kaufman





<i>Glee: The Music -- Journey to Regionals</i>

Photo: Columbia Records




Christina Aguilera is used to jousting with fellow female divas on the charts, but after a four-year layoff to start a family, the bondage-loving good-girl-gone-bad ran into the most formidable foes of her career this week: the glee club and teen vampires.
Try as she might, Aguilera's Bionic could not beat back the forces of "Glee," as the hit show's fifth soundtrack, Glee: The Music — Journey to Regionals easily tops next week's Billboard 200 albums chart in its debut, moving 152,000 copies and giving the show its third straight #1 album, according to figures provided by Nielsen SoundScan. Coming in just behind at #2 is the "Twilight Saga: Eclipse" soundtrack, which moved 144,000 copies.


That means that after two #1 debuts and a #2 bow for her first three studio albums of original English-language songs (which sold between 252,000 and 346,000 or more in their first week), Bionic represents the lowest chart debut to date for Aguilera at just over 110,000. The soft sales come just weeks after Aguilera scrapped an already-announced summer tour, citing scheduling conflicts in promoting the album and her winter big-screen debut in "Burlesque."
Also making chart debuts this week are rapper Plies with his long-awaited album Goon Affiliated (#5, 56,000), country star Dierks Bentley with Up on the Ridge (#9, 38,000) and Jewel, whose country-flavored Sweet and Wild comes in at #10 on sales of 31,000.
The rest of the top 10: Jack Johnson's To the Sea (#4, 89,000, down 63 percent from its debut), Justin Bieber's My World 2.0 (49,000), Glee: The Music — Vol. 3, Showstoppers (#7, 40,000) and Lady Antebellum's Need You Now (#8, 39,000).
Further down the line, jam-band circuit faves Grace Potter and the Nocturnals hit #20 with their self-titled fourth album (18,000), Gym Class Heroes singer Travie McCoy lands at #27 with his solo debut, Lazarus, and one-time boy band Hanson manage a #30 bow for their soul-flecked latest, Shout It Out (14,000). Former anarchy-loving punks Against Me! plant White Crosses at
#34 (12,000) and rapper Lil Jon's years-in-the-making Crunk Rock slip in the top 50 at
#49 on sales of 9,000.
One of the week's biggest tumbles come from U.K. crooner Taio Cruz, whose Rokstarr plummets 42 slots to #50 in week two on sales of 9,000 as business dipped 64 percent. The week's biggest gainer is the "Get Him to the Greek" soundtrack album from Russell Brand's fake band, Infant Sorrow, which shoots up 67 spots to #81 in its second week as sales increased by 67 percent to 6,000.
Gleeks should hold a quick party, but Drake all but has a lock on a #1 debut next week with his eagerly anticipated Thank Me Later, which has hit stores along with the first album of new material from Sarah McLachlan in seven years, another Now compilation and Tom Petty and the Heartbreakers' first new disc since 2002.



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'Piranha 3D' Sequel Already Planned

Film made $10 million in its opening weekend.By Kara Warner





Jerry O'Connell in "Piranha 3D"

Photo: Gene Page / Dimension




Hot off the $10 million opening weekend for "Piranha 3D," Dimension Films announced Monday (August 23) that a sequel is already in the works.
"We are thrilled that audiences are not just loving 'Piranha 3D,' but cheering for it," producer Mark Canton said in a statement. "And it's fantastic that so many critics are really getting the movie and recommending it. We can't wait to get to work on the sequel."

We've been following the blood- and breast-filled production since its humble beginnings, back when we visited the Lake Havasu, Arizona, set where co-star Paul Scheer bragged to us that the film's blood content would likely break records.
"Over 600 gallons of blood were used in this movie so far, and we're not even done," Scheer told us. "This is gonna be the most boobs and blood in any motion picture of all time."
Despite the film's seemingly campy nature — complete with the cast's cheeky Funny or Die video, in which they ask the Academy to consider "Piranha 3D" for a Best Picture Oscar nomination — the 1978 original film and its 1981 sequel "Piranha II: The Spawning" launched the careers of respected filmmakers Joe Dante, John Sayles and James Cameron.
And if those established pedigrees aren't enough, director Alexandre Aja knows what it takes to get moviegoers into theaters. "There's going to be 3-D double-D boobs!" he laughed when we talked to him earlier this summer. "I want to know exactly how many different girls' boobs are in the movie. I think it's a lot. I think blood-wise, I have to get the final number, but we are beyond anything you can even imagine."
With a current rating of 81 percent Fresh on Rotten Tomatoes, the film has struck a chord with critics as well. MTV's own Kurt Loder called the film's effects "top notch," "fluid" and just plain fun. "The thrills here may be traditional, but they're still actually thrilling," he wrote.
The Associated Press' Christy Lemire gushed about the film: "Run, don't walk: 'Piranha 3-D' is hilariously, cleverly gory. Mere words cannot describe how awesomely gnarly 'Piranha 3D' is, how hugely entertaining, and how urgently you must get yourself to the theatre to see it. Like, now."
Check out everything we've got on "Piranha 3D."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Jimmy Fallon Rolls Out The Red Carpet For The 2010 Emmy Awards

Jimmy Fallon, host of the 62nd Annual Primetime Emmy Awards, was joined by Television Academy President John Shaffner and Emmy Awards Executive Producer Don Mischer at the Nokia Theatre in downtown Los Angeles just moments ago to officially roll out the red carpet for this weekend’s awards show. Here are a few photos from this [...]

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Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.By James Montgomery with MTV News staff





Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday

Photo: Kevin Winter/ Getty Images




"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."



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Tuesday, August 24, 2010

Justin Bieber 3-D Movie Is 'A Story For Our Time,' Director Says

'We're gonna tell the underdog story of where he came from,' Jon Chu says of the Bieb's YouTube-fueled success.By Jocelyn Vena





Justin Bieber

Photo: Frederick Breedon/ Getty Images




Valentine's Day weekend won't just be lovers in 2011. Devoted Beliebers are counting down to the moment they can check out Justin Bieber's 3-D movie. Director Jon Chu promises fans will get an in-depth look at what it's like to be the VMA-nominated singer.
"Well, we're working on it right now. We've been touring with him, so we've been working on it," Chu ("Step Up 3D") told MTV News about the project. "The movie comes out in five months, so we're deep in it. It's been fun to get to know Justin. He's a really cool guy and we're gonna make a really fun movie."
Those who have yet to be infected with Bieber Fever should take note: This movie is for fans and non-fans alike, according to Chu.
"[It's] a movie for his fans, a movie for people who don't know him, and we're gonna tell the underdog story of where he came from," he explained. "Because it's a really fascinating story and it has a lot to do with our sort of digital lifestyle now. He was able to do what corporations try to do now when they use YouTube and they don't even know what to do with it yet. It's a pretty cool story for our time."
As for the film's format, Chu explained that it will be a mixture of concert footage and some documentary-style scenes. "There's not going to be acted-out scenes and I can't talk about the rest. It's not your typical concert film and it's not going to be a biopic ... but it is about his life. I think it's more of a documentary. We're going to figure it out as we go," he said. As for how much of it will be in 3-D, he said, "You'll have to see it. We're figuring that out now."
Chu had more praise for Bieber, telling us the singer has real staying power, as evidenced by artists like Kanye West seeking him out for collaborations.
"He ... isn't a flash in the pan," Chu said. "He has legitimate talent and I think other artists recognize that."
What part of Justin's biography do you most want to see played out in 3-D? Tell us in the comments!
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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Exclusive: Raekwon Talks Finished Justin Bieber Remix With Kanye West

'I definitely didn't give him anything that I thought was too hot to be spoken on by a 16-year-old,' Rae tells MTV News.By Shaheem Reid





Raekwon

Photo: Getty Images




Kanye West's Twitter spawned one of the most talked-about (and unexpected) musical collaborations in years — and the song was only finished Wednesday.

West and Justin Bieber started talking on Twitter a few days ago about making a remix of the Biebs' "Runaway Love." 'Ye suggested Raekwon get involved, and the next day, the Chef and the Louis Vuitton Don were in New York's Electric Lady Studios knocking out verses.
"Kanye was just being Kanye," Rae told MTV News about the session. "He was definitely excited. The energy in the room was already speaking for itself. It was time to get up and have fun on the track together. We was drinking, laughing, being normal cats. At the same time, we had a houseful of celebrities in the house as well. [Kanye] was moving through the facility checking out the studios he had. He had three studios in there.
"You had Akon in the building. Mos Def was just chillin'. Mos is a good friend of 'Ye's," Rae added. "You had Charlie Wilson, the legendary cat from the Gap Band. Chris Rock walked in. These are guys that really respect who 'Ye is. 'Ye's energy is cool. He's a normal cat. A normal Chicago/world cat. Very mature. Having a great time."
Rae said his followers on Twitter alerted him that Kanye and JB were talking on their pages about collaborating and had brought his name up. He didn't hesitate to let them know he wanted in.
"This is a conversation that extended from the Twitter thing," the Staten Island general explained. "Kanye was having a conversation with Justin over the Twitter. They came up with this great idea to have me involved. I was told to check it out and see what they talking about. They was right. They was saying, 'This is something Kanye and Justin want to do.' So automatically, first thing I do is hit them back and say I'm with it. Definitely, it created a movement. A lot of people want to see what could be the outcome to this remix. It's definitely a hot remix."
For the past year, most of Rae's accolades have been coming via his raw street music, most exemplified by 2009's Only Built 4 Cuban Linx II LP. Obviously, Rae didn't go into the "Pyrex Vision" or "Surgical Gloves" zone with his rhymes for Bieber's fanbase.
"All I did was ride the beat and listen to what he was singing to," Chef said of his rhymes on the "Runaway Love" remix. "I can go basic when I want to. I can go rated R, I can go rated PG. I definitely didn't give him anything that I thought was too hot to be spoken on by a 16-year-old. I know how to read beats, and listening to the record, I just complemented. At the end of my 16 [bars], when you do hear Justin coming, it fits and it's a great sound. I didn't go crazy. One thing people gotta recognize about me, I'm the Chef. I know how to make spicy food, I know how to make food that ain't spicy. I made something that fit the criteria.
"Me and Kanye are just here to sprinkle a little bit more love on this man's success and all our success," he added.
Rae didn't exactly have Bieber Fever before this collabo, but he respects the teen's work. Chef said he recognized Bieber's star quality and potential when he saw him perform last year. The MC hasn't heard an entire Justin album yet, but his kids are big fans.
The "Runaway Love" remix has also sparked the opportunity for more Raekwon/ Kanye West collaborations. "We sat down and we talked about it, we talked about doing things in the future. This is just the beginning," the Wu-Tang co-founder revealed. "This is something that was supposed to happen a long time ago. He started throwing on them tracks, ideas started coming to my head. I was like, 'If this cat produces a Rae and Ghost record, what could come out of it?' Every album, he evolves. He's always doing the extra, or absurd, the abnormal, but it sounds crazy."
On Tuesday, Rae released his Only Built 4 Cuban Linx II: Gold Edition on iTunes. The set includes new songs, remixes and music videos. The project helps commemorate the 15th anniversary of his classic first Linx.
Are you excited to hear the "Runaway Love" remix? Let us know in the comments!



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Lily Allen Attacks Simon Cowell, 'X Factor' On Twitter

'It's everything that I detest about modern western culture,' she writes of the U.K. talent competition.By James Montgomery





Lily Allen

Photo: PEX/ BuzzFoto/ FilmMagic




Next fall, Simon Cowell will bring his highly rated "The X Factor" to the U.S. And while speculation is already rampant about whom he'll hire to judge the show, there's one pop star he can definitely cross off his list: Lily Allen.

Seems she's not exactly a fan of the show — which has been a staple on U.K. television since it premiered in 2004 and is currently embroiled in an Auto-Tune controversy — and she let the entire world know in a series of tweets posted on her account over the weekend.
"X factor: FAIL. Too set up/scripted in my humble opinion," Allen wrote on her account. "It's sh--. FACT ! It's everything that I detest about modern western culture. Cowell is the only one who really benefits."
And after jousting with a few "X Factor" supporters, she turned her ire back to Cowell, accusing him of cornering the market on televised talent contests for his own nefarious purposes. "I don't know how Simon Cowell has managed to get away with essentially copywriting [sic] the talent contest. It's beyond me, really," she wrote.
Allen was also asked by a Twitter user if she was bitter because she'd never been asked to serve as a guest judge on the show, which set her off again.
"I'd rather actually eat my own crap than sit next to any of those goons. Except [judge] Cheryl [Cole], obvs," she wrote. "I've better things to do with my time than feed the nation with the notion that doing cover versions will sort your life out."
Her rant apparently over, Allen returned to tweeting about airport security lines and the fate of the Fulham football team. Of course, a day later, her old nemesis Perez Hilton picked up on the story, and — as he is seemingly required by law to do — shot back with a tweet of his own, writing that he'd "love to watch" Allen eat her own crap.
Allen, perhaps not knowing how these things always turn out, took the bait, writing, "Mr. Hilton, you must come to one of my dinner parties next time you're in London, and I'll be sure to serve you up a big helping."
Do you agree with Lily or do you like Simon Cowell's talent competitions? Share your thoughts in the comments!



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Jim Carrey To Bring Classic 'Mr. Popper's Penguins' To Big Screen

Film will be upscale adaptation of popular children's book.By Kara Warner





Jim Carrey

Photo: Todd Brown/ MTV News




The last time Jim Carrey lit up the big screen, he did so as four different CGI characters in Disney's animated "A Christmas Carol" reboot. Now, in addition to the recently announced project "Pierre, Pierre," with "Bruno" director Larry Charles, Deadline reports that 20th Century Fox has lined up the funnyman to star in "Mr. Popper's Penguins," based on the classic children's book of the same name.
The film adaptation is said to be an upscale spin on the book, with Carrey in the role of the titular Mr. Popper, now a high-powered businessman who suddenly inherits six penguins. As Popper becomes increasingly attached to his feathered friends, his life unravels and, you guessed it, wackiness ensues. According to the script synopsis, Popper's swanky apartment turns into a winter wonderland, and he almost lands in jail.
"But thanks to his new charges," the logline reads, "Popper comes to understand the importance of family, human and otherwise."
Fans of the book, written by Richard and Florence Atwater, will note that this proposed film version is a departure from the 1938 original, in which Popper is a poor housepainter who receives the surprise gift of a penguin by mail after writing into a radio broadcast hosted by Antarctic explorer Admiral Drake. Eventually, one penguin turns into 12, and in order to support their expansive brood, the Poppers train the penguins to perform.
Perhaps Carrey can convince the filmmakers to reintroduce the painter aspect of Popper's character, given the actor's newfound passion for painting, which he has been chronicling via his Twitter account.
No word on when production is scheduled to begin, but Mark Waters ("Mean Girls" and "The Spiderwick Chronicles") is set to direct.
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.



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